Mehemed Fehmy Agha

He was a pioneer with the use of sans serif typefaces, the duotone, full color photographs and bleed images.He also bought to his readers the work of many artists like Matisse, Derain, Covarrubius and Picasso years before other American magazines. Under Agha's direction, Vanity Fair introduced the first double-page spread in 1930, and in 1932 Vogue had the first magazine cover with full-color photography.

Neville Brody

Neville Brody, the British designer and art director, has now been at the forefront of graphic design for over two decades.He was one of the founding members of FontWorks [1] in London and designed a number of notable typefaces for them. He was also partly responsible for instigating the FUSE project an influential fusion between a magazine, graphics design and typeface design. Each pack includes a publication with articles relating to typography and surrounding subjects, four brand new fonts that are unique and revolutionary in some shape or form and four posters designed by the type designer usually using little more than their included font.

Brody has consistently pushed the boundaries of visual communication in all media through his experimental and challenging work, and continues to extend the visual languages we use through his exploratory creative expression.In 1988 Brody published the first of his two monographs , which became the world's best selling graphic design book. Combined sales now exceed 120,000. An accompanying exhibition of his work at the Victoria and Albert Museum attracted over 40,000 visitors before touring Europe and Japan.In 1994, together with business partner Fwa Richards, Brody launched Research Studios, London. Since then studios have been opened in Paris, Berlin with plans to open a New york studio. Clients range across all media, from web to print, and from environmental and retail design to moving graphics and film titles.A sister company, Research Publishing, produces and publishes experimental multi-media works by young artists. The primary focus is on FUSE, the renowned conference and quarterly forum for experimental typography and communications. The publication is approaching its 20th issue over a publishing period of over ten years. Three FUSE conferences have so far been held, in London, San Fransisco and Berlin. The conferences bring together speakers from design, architecture, sound, film and interactive design and web.Recent projects include the redesign of the The Times in November 2006 with the creation of a new font Times Modern. The typeface shares many visual similarities with Mercury designed by Jonathan Hoefler. It has been widely reported that the newspaper had only changed typefaces four times. This is not the case, the newspaper had changed typefaces countless times during the age of handsetting. The original Daily Universal Register was set in a Caslon like typeface from the Fry Type foundry.Brody's work is now focused upon the evolution of a new visual language that questions and creates a dialogue on the role of electronic design in communication.

Alexander Apsit

Stefan Sagmeister

While a sense of humor invariably surfaces in his designs, Sagmeister is nonetheless very serious about his work; his intimate approach and sincere thoughtfulness elevate his design. A genuine maverick, Sagmeister achieved notoriety in the 1990s as the designer who self-harmed in the name of craft: He created a poster advertising a speaking engagement by carving the salient details onto his torso.

Dennis Holmes character logos

Curtis Tucker character logos

Vladimir Mayakovsky

was a Russian poet and playwright, among the foremost representatives of early-20th century Russian Futurism.Mayakovsky worked for the Russian State Telegraph Agency creating — both graphic and text — satirical Agitprop posters. In 1919, he published his first collection of poems Collected Works 1909-1919. In the cultural climate of the early Soviet Union, his popularity grew rapidly. During 1922-1928, Mayakovsky was a prominent member of the Left Art Front and went on to define his work as 'Communist futurism'.

El Lissitzky

Russian painter, typographer, and designer, a pioneer of nonrepresentational art in the early 20th century. His innovations in typography, advertising, and exhibition design were particularly influential.